Wednesday, May 1, 2013

Cover Reveal: EYRE HOUSE by Caitlin Greer

Hey, sweet readers!

If you know me at all, you know about my obsession with Jane Eyre. The deep themes, the rampant creepiness, and the way it drips with sexuality, even for an 1800s classic, well...*shiver*. I just love it, okay?

Which was why when Cait told me she was tackling a redux of Jane Eyre set in a sleepy Southern tourist town, where the Jane character is played by a ripped boy named Evan with gorgeous tattoos? I FREAKED OUT. I mean, I was jealous, because why hadn't I thought of that? But mostly I was so so happy, because maybe she'd let me read it?

Well, it's a good thing she did, because I adored being a right-hand CP on this project. It's everything Jane Eyre is, done so masterfully I can't even. Mysterious, sexy, heartbreaking, beautifully written....oh my gosh, you guys. You're going to adore this.

So here's the scoop. EYRE HOUSE comes out this July (!!!!) and I am D-Y-I-N-G for you all to read it too.

 Here's the synopsis, which is way more thorough than my crazy fangirling:


When eighteen-year-old orphan Evan Richardson signed up to work at Eyre House, on the sleepy tourist getaway of Edisto Island, SC, he never expected to find himself dodging ghosts. But Eyre House seems to have more than its fair share of things that go bump in the night, and most of them seem to surround his employer’s daughter.

Back from her freshman year of college, Ginny Eyre is dangerous from word one. She’s a bad girl with ghosts of her own, and trouble seems to follow her everywhere she goes. But living or dead, trouble isn't just stalking Ginny. When her ex-boyfriend is found murdered in the pool, Evan knows he’s got two choices – figure out what’s going on, or become the next ghost to haunt Ginny Eyre.

Ohhhhh my. See? I fan myself just reading it. 

Wait, what's that? Your greedy little eyes want to see the cover? Well, I suppose that's what we're here for, huh?

Okay.....

Are you sure you're ready?

*sigh* I suppose I have to share sometime....

......

......

.............

.....................

TA-DA!!!!!




Well, what are you waiting for? Add it! Add!



Cover Reveal: CATCHING LIAM by Sophia Bleu


Hey, sweet readers. 

It's no secret that I have mad love and respect for New Adult literature. That's why I'm so excited to be participating in the cover reveal for an up-and-coming New Adult author's debut!!!! It's called CATCHING LIAM and oh my goodness I cannot WAIT to get my hands on it....and to recommend it to the students I work with.

Here's what CATCHING LIAM is all about:


Twenty-one year-old Jillian Nichols only has one rule when it comes to boys: catch and release. Boy-catching isn't just a game for Jillian and her friends, it's a lifestyle. After all, boys might be good for a dance or a drink and certainly a little under-cover action of the scandalous variety, but expect much else and you're bound for heart ache.

So when her best friends and fellow boy catchers start dropping like flies junior year, Jillian is determined to keep boys in her bedroom and out of her heart. Until she meets Liam McAvoy, the kind of guy that sticks around to make waffles and who can't—or perhaps won't—take a hint.

Study abroad student Liam doesn't want to be another notch on Jillian's bedpost. Actually he has much more interesting ideas for Jillian and her bedposts, but his student visa's set expiration date means he can't promise her forever. That doesn't mean he's going to walk away from the challenge of discovering why Jillian is hell-bent at keeping people at a distance.

Before long, neither is sure who is catching who—or if they're playing for keeps. Jillian knows one thing though: falling in love will not only break the only rule of boy-catching, it could also break her heart.

Sounds AWESOME, right? Wait, what's that? You want to see the cover? Yes, you definitely do. Because it manages to be cute and a little sexy at the same time. 

Ready? 

You sure?

Okay......

Here it is!



Catching Liam by Sophia Bleu
Publication date:  Summer 2013 
Genre: New Adult Contemporary

And here's a little bit about the author....
Sophia Bleu is a secret identity where I can write about fantasies and falling in love and all the smexiness in between.  In real life, I'm likely catching a plane, chasing kids, or making out with the love of my life—all 6 ft 3 inches of hotness that he is.  Life is pretty good.

Author links:

Thanks for letting me host your cover reveal, Sophia! What an honor! 

Wednesday, April 17, 2013

Publishing 101 - Review Requests


Hey, Sweet Readers! I'm blogging today's Publishing 101 installment over at Pen and Muse!  (the first bit is here, but the rest is there, so you might as well just click through now. ;))


I thought I'd do a series of posts detailing my experiences taking Publishing 101 via publication of my debut novel.

My goal is to publish a book that is indistinguishable to my readers from any novel from a Big Five publisher.  It can be done - in fact, finding such a novel is the one thing that finally got me off my butt and pushed me to self-publish ONE.


Just as a traditionally published book has a huge team of professionals behind it, ONE does as well. My plan is to blog about every step of the process from agent-approved manuscript to published book. 




As a self-publisher, you’ve decided that the only audience whose approval of your book matters is the readers. Not agents, not editors – readers.
If the reader is the most important judge of your book, then it follows that the book reviewers/bloggers with large audiences of readers are your new gods and godesses.
Worship them.
No, I’m not kidding. Not one little bit.
Out of sheer benevolence (and possibly maybe one day ARCs of Big Deal Books) these people started using their precious personal time, without pay, to write thoughtful and helpful reviews of books. Those reviews were so good that other people started to read them, rely upon them, anticipate them, and follow their blogs. The more followers a reviewer has, the more authors want them to review their books.
That means that the book reviewers/bloggers you most want to be reading your book often have their pick of books – both traditionally and self-published – to read and review. That means that you will have to offer them more than “Hey! Free book! Now read it and say nice things about it!” to get them to agree to spend their time reading and reviewing your book (hopefully kindly.) This is ten times as true for self-published authors, who haven’t gone through the established and trusted quality control process of our colleagues in the Big Five houses.
To get in with these great reviewers,  you'll need to behave yourself. Click over to the full post on Pen and Muse for some very important "do"s and "don't"s  of getting awesome reviews for your book. 

Tuesday, April 16, 2013

To the Recently-Decided Self-Publishing Author


Dear recently-decided self-publishing author, 

 Congratulations!!! You've just made a huge decision, and it's a very exciting one. 

 I know you don't feel like those words fit right now. I know your hands are shaking and your stomach is in knots and your knees have turned to jelly. I know you are trying to hold back tears, or maybe you stopped trying a long time ago and now they're just pouring out. I know that you think I should be saying, "You are an idiot," rather than "Congratulations." 

 I hope you have a good friend next to you, like I did, to rub your back and let you cry on her shirt, to tell you that she will be there for you every step of the way. I hope that friend is telling you that you are making a good decision - not the only decision, but a really, really good one. 

 If you don't, read these sentences over and over and over again until you feel them in your bones: You are a hard worker. You believe in your book. You have what it takes to build your own career. You are making a good decision. 

 You have learned that there is a wrong way and a right way to publish a book, and that self-publishing is in the "wrong way" category. You may be very concerned about that right now - specifically, how people will view you and your book when (if?) you self-publish it. I wish I could say something to make that worry go away, but I can only tell you the truth you already know - that stigma against non-traditional publishing runs so deep that its claws have worked themselves deep into your psyche, and it will take two things to get them out: hard work, and time. 

 The key to ridding yourself of those claws is to throw yourself headlong into working hard to publish your book. Go through the motions. Walk the walk. Fake it till you make it. At some point - and I don't know if it will be when you make the announcement, when you hold the ARC in your hands, when you get your first review, or when you sign your first copy that someone has bought (!) - but at some point, you will stand up tall, pride will wash over you, and you will realize that you haven't felt those claws, or even thought about them, for a long time. 

 (If you want to know, I stopped worrying about what everyone would think three months and twelve days after I decided to self publish. It was a couple days after my cover reveal, and it was awesome.) 

 Every day will get a little better. You and your book will shine. And, most importantly, you'll reach readers and share your story. 

 Congratulations. 

 Love, 
Leigh Ann

Thursday, April 11, 2013

Publishing 101 - Scheduling Your Release (and a 2-months-til-ONE GIVEAWAY!!!!)

Hi, sweet readers!!!!

I know it's been awhile since I posted...well...anything over here.

 Truth be told, I've been in sort of a holding pattern with ONE for the last couple months. Pretty much everything's been done on the book since then, and my last blurb just rolled in a couple days ago (thanks Emma!)

I just sent the final print version, pretty formatting and blurbs and acknowledgements included, to the printer, last week. Right now, I'm holding the final printed copy of ONE in my hands. I could put the ARC sticker on the front, but I probably won't. This one's a gift to one of my nearest and dearest CPs, and it's the same as the one anybody will be able to buy from Amazon.

So, why don't I start selling this mofo tomorrow? *sigh* I wish I could. But waaaay back in December, I set the calendar for ONE's release...based on the release date for TWO, its sequel.

It's common wisdom in the self-publishing universe that the closer the release dates between an author's books, the better. This is especially true for sequels. Three months is ideal, four is workable.

Why? Well, really the same reason that it's a good idea for any sequel to have a close release to its first installment. We keep readers' interest more easily. Especially in the primarily digital book world, there's an expectation that things will happen more quickly. Really, because we self-publishers can pull off a close release, we should. It's better for building an audience and making a profit if a reader who loved ONE can buy TWO in short order.

In short, close release dates are better for both reader and author. Happiness all around, right?

So, back to TWO's release date. Back in January, when I announced I was self-publishing ONE, TWO was only about half-drafted. I knew I couldn't have it ready to publish until late spring at least, but life throws curve balls left and right, and I wanted to give myself plenty of breathing room. Theoretically, I could have had TWO ready to go by July or August. But the problem is - you guessed it - pesky real life. *smile*

I work at a Jewish student center on a college campus. That means that August (Welcome Week) and September (High Holidays) are impossible for doing anything but those things. It's part of the rhythm of this job, thankfully, so I already knew back in December I couldn't schedule a book release then.

That's how TWO got an October 8th release date. And that, dear readers, is how I decided ONE would come out on June 11th. At four months apart, they're about as far as recommended to draw the most possible readers and build the best buzz.

Now, for some fun. Today is April 11th, which means ONE will be out in the wild in exactly two months. I'm beyond excited, and so I'm having a little one-day-only giveaway to celebrate. Even more exciting, with the help of my Twitter friends, ONE hit 1000 "adds" on Goodreads yesterday, so I'm doubling the prizes!!! Woohooo!

Up for grabs:

2 ARCs of ONE (digital or paper - digital can go international, paper US only please.)
1 DVD of X-men: First Class
1 DVD of X-men (the original from '99. Love.)
2 custom ONE posters by Andrea Hannah, signed by me and the artist
2 soundtrack CDs of ONE (you can see the playlist on this post in All The Write Notes) Here's the Rafflecopter! Have fun and good luck!!! a Rafflecopter giveaway

Wednesday, March 13, 2013

Cover Reveal: CLICKS by Amy Evans!


Hi, sweet readers!

I'm so very very very excited to be part of the team hosting a cover reveal for my Inkslinger PR sister, Amy Evans.

And hey - the cover is awesome, but I can pretty much guarantee that you'll be ready to read the book, cover or not, after this description. Because - LOOK:


ABOUT CLICKS:

Born and bred to win, Cami’s family expects her to join a secret society called The Guard, marry one of the two identical twin boys next door, and stay on Pinhold Island for the rest of her life. Home to perfect waves, black sand beaches, and the world-famous Surf Carnival, Pinhold seems deceptively perfect. While visitors are jealous of the few hundred people who get to live there, Cami feels stifled. Thanks to the intense link she shares with her own twin, Mica, she can't even be alone with her thoughts. While Cami's more than happy to be a lifeguard, a lifelong commitment to the endless summer feels like a trap. For mainlanders, success in the Surf Carnival means a place to live on Island constant access to the huge, perfect waves that crash just off shore.  Cami sees it as a way out til a seemingly small injury turns her world upside down and prevents her from the first competition.

Descendants of the ten families who originally settled on the Island, Cami and Mica are part of a new generation, the most perfect example of what nature and time can create. This summer was their time to prove that the years of training have paid off, but it's not going as planned. It's suddenly impossible for Cami to resist the magnetic attraction between her and Blake, one of the twins next door.  Just as the Surf Carnival competition starts to heat up, the best swimmers start going down. Something is pulling them to the ocean floor where they wind up in comas and can't be woken up.  When Mica goes down too, Cami can no longer wait for those in charge to figure out how to help him.

With her twin link silenced, the clicks that she used to get from her brother start coming from somewhere else. Can she trust her instincts and learn to listen in enough time to save her friends, or will she lose them along with the island home that she loves?
AWESOME, right???
Okay. I know you want to see the pretty pretty haunting hopeful cover! 
But gosh, it's SO PRETTY....I kind of want to keep it to myself....
And it's my blog, so I can do what I want....
But I did promise KP, and Amy, so......
.....
Well.....
Okay. Here it is!!!!

You know you want to....


ABOUT AMY EVANS:

Amy Evans is a writer, game producer and interactive technology evangelist with fifteen years of experience. In 2000, she co-founded HIPnTASTY Inc., a mobile marketing and entertainment company known for creating content that merges communication and entertainment, using technology to connect users with stories, devices, and the world at large.

Amy has designed and launched many transmedia and mobile applications including Mobile Hunt, a location based scavenger hunt that took place  in twelve cities for Lollapalooza, Name That Ringtone with BMI Music and Ringtone Trivia for Rogers AT&T.

In addition to designing content, Amy served the company as President, licensing HIPnTASTY technology to  clients and partners including Marvel, Verizon, Ericsson,gurl.com, to name a few. As an early evangelist of mobile marketing, she consulted with a number of advertising agencies including McCannErickson, Footsteps Inc and J. Walter Thompson to help their brands break into the mobile marketing space.

As executive Producer for Immersedition, Amy is responsible for licensing technology, creative development and product launches.

Her first young adult novel, Clicks, will be released in May 2013.


Stalk Follow Amy!





Friday, March 8, 2013

Publishing 101 - Getting a Great Cover

 Hi sweet readers! I thought I'd do a series of posts detailing my experiences taking Publishing 101 via publication of my debut novel.

My goal is to publish a book that is indistinguishable to my readers from any novel from a Big Five publisher.  It can be done - in fact, finding such a novel is the one thing that finally got me off my butt and pushed me to self-publish ONE.

Just as a traditionally published book has a huge team of professionals behind it, ONE does as well. My plan is to blog about every step of the process from agent-approved manuscript to published book. 


Your book's cover is one of the most important things for making sure it reaches the maximum amount of readers.

I know we say that people shouldn't judge books by their covers, but that's ridiculous. Your book's cover is the outward representation of what's inside. If you didn't invest creativity, care, and professionalism into your cover's design, how do you expect your readers to think you did anything differently with the words and story inside?

I had mad cover envy for Trisha Leigh's covers for her The Last Year series, and when she told me her cover designer, Nathalia Suellen, was a freelance cover artist and open to clients, I emailed right away to reserve my spot. I contracted her for both ONE and TWO right then.

First, she asked me to tell her a bit about the book and give me a description of the main character, if I wanted her on the cover. So I sent her this blurb and the photo I had worked off of when describing Merrin, the main character, in the book:


Senior Portraits

Then she shot back a few basic questions: 

Do you want the girl on the first book and the boy on the second? Or the same girl in both? (you guys will see the answer to that when we reveal TWO's cover.)

Whats your favorite color? (I told her sunset colors were important.)

Is there any important element like an animal or a special necklace? (no, but flight and the sky are big parts of the story and theme.)


I also sent her this image I had found and loved on Flickr: 

(Shot by Lauren Withrow found here.)
Then, she got to work finding cover models. She sent me a bunch of options and asked me to pick my favorites:

Pretty Supermodel Redhead Woman - Sexiness Royalty Free Stock Image - Image: 25386166
NO. 
The dancer in midair on black Royalty Free Stock Photo
Beautiful, but it doesn't look like Mer, body, face, hair, or outfit. 

Young girl up in air against blue sky Royalty Free Stock Photo
Gorgeous, but not the right mood. And Mer would never wear that.

girl in dress jumps on green lawn Royalty Free Stock Photo
Cute, but I wanted to see her head. And I hated the shoes.

Young woman flying up Royalty Free Stock Photo
Ohhhh. Now we're getting somewhere. But her eyes are freaky and her hair's wrong.
Departs Royalty Free Stock Photo
Her face and hair are perfect, even though her hair's the wrong color. But that outfit? Really?
And the BRIGHTNESS. *wince* 



No problem, Nathalia said.
We can use a different head and body, and change hair colors. See?

(ZOMG NATHALIA IS A GENIUS) 

Okay. So then she sent me an idea sketch.



She wanted this skeleton underlaid to show that the characters were a little more than human, and the birds. She really wanted birds. 

(I did not want the birds, but she really did. And since she's a genius, I let her try them.)

But the skeleton idea kept freaking me out, so I sent her this instead. What if we tried underlaying THIS on their skin?
people molecular structure Royalty Free Stock Vector Art Illustration

Nathalia didn't love that for under the skin, but she DID like it. A lot. And promised me she would use it. 

About a month later, I got this back:

 She's a master of symbolism, and it shows. Can you believe that just from that blurb, she was able to come up with an image that was a girl floating against the sky, except the sky isn't really the sky, it's really wallpaper because she's TRAPPED INSIDE HER OWN BODY??? Come on! Genius.
Also!  Pretty. Except...I still hated the birds. And while I loved the connect-the-dots, constellation, DNA-whatever-it-is, the wings just didn't fit. Merrin never had wings, and never really thought about it.
So I told Nathalia to take both out.

BUT then we just had this. BORING. 

So she put the dots back in, but in a totally different way.  They're kind of like wings, but not really, they could be like a current or something or just imaginary or WHATEVER THEY ARE PRETTY. 
Et voila! Here is the cover we ended up with....
GORGEOUSSSSSSNESSSSSSS

Now, Nathalia is nothing if not a perfectionist. So even after I told her I loved the cover, she kept coming up with new versions....
Meh.
Mehhhhhhh.
























I still loved that last one I posted and the one I ultimately used, so
that's what we went with! Yay!!!

Now. I want to say something about this whole cover business.

I'm not normally a self-pub evangelist. I mean, I try to shut up about how much I love being a self-publishing author, and how great it is.

But when it comes to the cover? I cannot. I just can't shut up about how extremely, incredibly, unregrettably DELIGHTED I am that I had complete control, both inspiration and veto-power wise, over this cover.

As I said waaaay up above, your cover is the often the only factor potential readers use to decide whether or not to pick up your book. It's so, so, so important, you guys. And if I wasn't self publishing, I most likely would not have had the fine-tuning control over this most important of book aspects that I had.

So. Basically, this cover business is one of the things that most makes me love, love, LOVE my decision to self-publish ONE. And a HUGE "thank you" is due to Nathalia, for being so patient with me through the whole process, and, of course, creating a GENIUS cover. Genius genius. 

Monday, March 4, 2013

Publishing 101 - Copyedits


Hi sweet readers! I thought I'd do a series of posts detailing my experiences taking Publishing 101 via publication of my debut novel.

My goal is to publish a book that is indistinguishable to my readers from any novel from a Big Five publisher.  It can be done - in fact, finding such a novel is the one thing that finally got me off my butt and pushed me to self-publish ONE.

Just as a traditionally published book has a huge team of professionals behind it, ONE does as well. My plan is to blog about every step of the process from agent-approved manuscript to published book. 



So. It's pretty shocking how few rules of grammar I know.

I'm not kidding.  I mean, this manuscript went through three revisions, got polished up to send to editors in big publishing houses, went through intense line edits with Jamie. I was all confident in its perfection when I sent it to my fabulous copyeditor Becca Weston.

This'll be no problem for her, I thought. She'll have it done in no time, because it's so close to perfect. 

HAHAHAHAHAHAHAHAHAHAHAHAHAHA

I was hilarious.

Every page was FILLED with the red of the track-changes path. Seriously. Once there was like half a page with no corrections and I did a little victory dance in my chair.

Here are some of the grammar and formatting issues that were running rampant through my perfectly shiny and polished manuscript before I sent it to my copyeditor:

  • Endash vs. Emdash (I didn't even know there was a difference. Truth.)
  • lie vs. lay vs. laid (No, I don't really know the difference between all of them. No, I don't think it makes me a bad writer.)
  • When to spell out numbers and when to use numerals (Pretty sure I missed this in high school.)
  • Caps vs. Italics vs. Caps AND Italics (When it comes to titles and names of buildings? I'm lost on this stuff.)
  • who vs. that (At the beginning of a clause. Don't tell me you know without a doubt when one is right.)


Not to mention, she had even MORE line editing suggestions that made the MS even shinier! In addition to eliminating a bunch of run-on sentences and cutting down significantly on the sentences that I had started with "Then," or "And then," she cleaned up a TON. Check it out:

Before:
"The sound of a metal stools’ legs scraping against the floor makes me cringe. I whip my head around and that blond boy from the hallway scoots his stool a little closer to my desk.
 Well, ‘boy’ isn’t an accurate term. It’s even clearer now, without the hustle and confusion of the hallway, and with him sitting right next to me, that he’s a giant."


After: 
The sound of metal legs scraping against the floor makes me cringe. I whip my head around, and that blond boy from the hallway scoots his stool a little closer to my desk.
 Well, “boy” isn’t an accurate term. It’s even clearer now — with him sitting right next to me outside of the hustle and confusion of the hallway — that he’s a giant.


Here's one where Becks eliminated a weird repetition of words (which, duh, how did I NOT think of this:)

Before: 
I sit there, gnawing on the candy and pretending I don’t notice Mom raising her eyes from the feed. Her eyes are sad. 

After:
I sit there, gnawing on the candy and pretending I don’t notice Mom raising her eyes from the feed. She looks sad. 

There was also some plain-old ridiculousness in there. 

  • ONE takes place in the near future, but Becks found references to boom boxes AND drive-in movies in there. Yeesh. 
  • Elias's house - I described a route for the two of them to take through the halls and rooms that didn't accord with a previous description. Rebecca seemed to have a map of the house in her head, and corrected me. 
  • Anatomical impossibilities - I don't know why I described Merrin standing this one way I did, but it was literally not possible if she has a normal human anatomy. Which she does.

 One last thing:  I have a confession. I hadn't read ONE all the way through for a long time until I went through to approve each of Beck's copyedits.  It was a good thing I had to, because I fell in love with my characters and story all over again.

To make a long story short, if you are indie publishing, hire a copyeditor. This second round of close edits is super indispensable - even if you think your MS is as shiny as possible already. 

Thursday, February 28, 2013

ONE giveaway - Custom art by Andrea Hannah


Hi, sweet readers.

I'm all emotional today. You know that I believe in a few things when it comes to this whole crazy publishing business.
One is that the people who love you and your book are POWERFUL when it comes to getting the word out.
Another is that one of the best ways to promote art (yes, I'm calling my book art, hush.) is with other art.

Well, I'm very lucky that one of the people who loves me and ONE most in the whole world also happens to be a super talented artist. Combine those two things and it's like one of Andrea Hannah's superpowers (along with writing heartbreakingly beautiful characters and poetic prose) is creating stunning custom art for ONE. 

Yeah. I know. "Lucky" doesn't even begin to cover it. 

She had this idea, to take some of the things that most moved her about ONE and to translate them into custom minimalist prints with a mixed-media feel. 

I didn't really give her much guidance, because I wanted to see what SHE loved about the book. It was a great instinct, because OMG YOU GUYS LOOK:



That's a quote from Merrin, and it's one of her most emotionally bare moments in the whole book. She's taking a huge risk by admitting that, and guess what?  I had totally forgotten about that line.

But Andrea picked up on it. Isn't it BEAUTIFUL?

I'm so excited that Andrea and I are giving away the signed print that you see above!

All  you have to do is leave a comment below, telling us which quote you would most like to see made into a custom print. It could be your book or any book in the whole wide world! We're just book geeks, so satisfy our curiosity about what you think are some of literature's most art-worthy lines. (Oh! And tweet about it for an extra entry, if you please.)

Thanks, sweeties! *smooosh* And good luck!!!!


Saturday, February 23, 2013

NOW CLOSED!!! Official Call for Members of #TeamONE!!!



Please note: the call for members of TeamONE is now CLOSED, since we hit fifty members!  Wooohooo! Thank you so much, everyone!!! 

Last month, I announced that I’m self-publishing my debut novel, ONE, about a girl with half a superpower and the boy who makes her fly. It comes out in June, and I’m hoping that the characters I love so much reach a TON of readers, and that they love them, too. 

We all know that one of the most challenging parts of making a book successful is getting the word out. Selling books is not like selling food, or toothbrushes, or snuggly winter sweaters. No one literally needs a book.  

So, what makes someone buy a book? And more importantly than that, one book over another?
Enthusiasm. Excitement. Bouncing and squealing and grinning recommendations from people they know and trust.

But the world is so big and I, the author am so small! How will I ever recommend ONE to even a fraction of the people in this world who might enjoy it?

Well, the answer, I hope, is Street Team – a group of people who have read the novel and liked it, AND THEN do their best to gab about it in reviews, in blog posts, on social media, and in person to anyone who seems like they’d enjoy reading it.

Then I thank them profusely with ARCs, book swag, loud public exultation, and all the (virtual, non creepy) hugs and kisses they can stand.

I’m super lucky that there are about 35 members signed up for #TeamONE already. I’m looking for 15-20 more people to join. It could be anyone – kids, teens, adults; readers or writers; teachers, book club members; anyone who rides an elevator or stands in a grocery checkout line or watches their kid on the sidelines at soccer practice. I may not be able to send ARCs to everyone - my awesome assistant and I are going to make that decision when we see all the entries - but either way, I'd love for you all to sign up. *smile*

If you’re interested in joining up, would you do me a HUGE favor by clicking this link to sign up

Friday, February 22, 2013

(Off topic!) Hamantaschen Recipe

Okay. I know this is a writing blog. But it's Purim, and with Purim come hamantaschen (see pic below) and I just feel like I wouldn't be a good friend if I didn't tell you how to make them. So, here's the recipe and instructions. Happy Purim, sweeties. 
IMG_1109

Here's what you'll need for about 3 dozen large-ish cookies:
3 eggs
1 c sugar
1/2 c margarine
4 c flour
2 tsp baking powder
1 tsp salt
1 tbsp lemon juice
3 tbsp orange juice


Cream together eggs, sugar, and margarine until very light and smooth

IMG_1036

Mix in the remainder of ingredients.  It will look kind of crumbly at first, but keep working it with your hands until it comes together:
IMG_1040IMG_1042

Roll it out to about 1/8 inch and cut into circles with the rim of a drinking glass:
IMG_1046

Now, do all your assembly and baking on parchment paper.  Trust me.  Just do it.  Brush the circles with egg whites and place filling in the center.  This will go best for you if you buy the cans of pastry filling in the baking aisle instead of trying to make do with jam, etc.  It is expensive, but a little goes a long way (I think one small can made around 2 dozen cookies):
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Pinch the sides of the dough together to form a three-cornered shape:
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Into the oven at 350 for about 15 minutes. 
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You want them to be golden at the seams:
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I plated mine six to a paper plate.  You can wrap the whole darn thing in saran wrap and stick in the freezer, then pull it right out for easy gifting.
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Tuesday, February 19, 2013

ONE's first chapter!

It's no secret that I'm in love with Trisha Leigh's The Last Year series. (Beginning with WHISPERS IN AUTUMN, so gorgeous.)

We became friends after I read and fangirled over the first and second books and critiqued the third (!!! I know. I'm so lucky.) It was then that Trisha said, "You know, I have some downtime. Would you like me to read ONE?"

WOULD I?!?!?!?!?!?
(Yes OMG YES.)

So she read ONE. Funny thing about writers who become good friends and CPs - often, their writing is kind of similar. Turns out that Trisha's and my writing? Is A LOT similar. 

Yep. We both write pretty lyrically, about strong, occasionally snarky, female protagonists who don't take 'no' for an answer. So, she loved ONE, and I died of happiness. Then I asked her to blurb it, and died of happiness again when she said of course she would (!!!) 

And THEN? She offered to put the first chapter of ONE in the back of the final installment of her The Last Year series. So, of course, I screamed, accepted, and did an epic happy dance. Because I. Had. Arrived.

To make a long story short, SUMMER RUINS, the fourth and final installment in The Last Year series, comes out today. Which also means that anyone who buys it can read the first chapter of ONE in the back (!!!)

I was going to make all of you buy SUMMER RUINS, but my assistant John said that wasn't fair, and that I should post it here. And, of course, he was right, as he always is. So. Without further ado, the first chapter of my debut Young Adult Sci-Fi, ONE

ONE


Most nights, and some mornings before sunrise, I sneak to the back of the shed and I practice. I push myself off the ground, telling my body to go weightless, and hover. An inch, two, six, a foot. I stay there for seconds, then minutes.
I can’t generate enough tension between my body and the air to take a step - can’t even make myself drift. I’d give anything just to be able to float along like a freaking ghost.
I’m a One – a half-superpowered freak. It’s the same sad story for all of us. Every superpower is made up of at least two distinct abilities. A kid can only fly if she can make her body light and then somehow propel herself forward.
Two powers. Not One. 
Every One puts up with getting teased at Superior High, waiting for their second ability to show up. While they do, that One power starts to fade. There are still shimmers of it, but after a while the kid quits trying and the One fizzles into nothingness. Then their disappointed Super parents ship them off to Nelson “Normal” High, like mine did.
Here's my secret - I never quit trying.
This morning, standing in our weedy backyard surrounded by a chorus of crickets, behind the ancient shed with chipping red paint, I go weightless. It happens so fast I feel like I’m being pushed upward. My heart jumps.
Maybe...
I try to move, try to resist the air, or push it away from me, and…nothing. I’ve been practicing so much I’ve gotten fast at going light. So I’m a speedy floater. Great.
I could hover here forever, until my muscles strain, then burn, then ache, then tremble, weeping and getting eaten alive by mosquitoes. I know I’d just end up collapsing on the grass.
Nevertheless, I smile when I have to will some weight into my body, to keep from floating above the shed. I definitely cleared three feet this time. Four years of hard work, and I can float an extra two feet.
Maybe by the time I’m eighty, I can say “hi” to the folks taking hot air balloon rides at the Nebraska State fair.
I’ve watched all the old-school cartoons about misfit superhero kids who just need to work on developing their powers in order to totally rule. But I’m not a freaking X-man. I know I can’t work on my One power hard enough that it becomes something better, something more. And it’s not like I can magically give myself a Second.
I know. I know.
But my body whispers to me. It tells me I can fly, if only I’m brave enough, strong enough, determined enough.
I sigh and trudge back to the house, being careful to dry the dew from my shoes before heading in to get ready for my first day at Normal.

Dad slows the car as Nelson High comes into view. It's about a third the size of Superior High, and the building’s face is shot through with mossy cracks, dull with years of dirt the groundskeepers didn't bother to power wash before the first day. It’s a strange contrast to the slick solar panels that blanket the roof, glinting silver-blue and reflecting the sky full of white, fluffy clouds. Most people think these older-model panels are hideous, but I always love it when a building’s roof looks like an extension of the sky.
I can’t take my eyes off the school, but I can feel Dad looking at me from the driver's seat.
“Dad.” I pat his knee, a little awkwardly. “I’m just going to school. A different one, but still just school. I’ll be fine. Maybe better. You know…than I was,” I say.
Dad eyes me. He doesn’t believe me, but he’s going to pretend he does.
I clear my throat. “You could have let me drive myself.”
“What if you didn’t get a pass? Or couldn’t find a spot? Best to figure out the lay of the land...”
“The lay of the land” is one of the phrases Dad uses when he’s worried. To be honest, I’m worried myself.
It’s been ten years since my One power - going weightless - showed up. Seven years since Mom and Dad started to worry, in whispered voices, that I’d never get a Second, like the other kids. Only one year since I’d pretty masterfully failed at Superior High. One year since we all knew I would always float instead of learning to fly – knew I would only ever be a One.
I was worried sophomore year at Superior would suck, anyway, what with the fliers and the speeders and the teleporters rubbing their superpowers in my face just by being there. This way, maybe it doesn’t have to.
“Did your hair for the first day, Merry Berry?” Dad flips an end of my hair with his finger. He’s lucky I’m feeling slightly optimistic this morning, or I might mess his up right back. It looks flawless for work at the Hub, as usual.
I don’t answer.
“Well,” he says, “you look beautiful.”
I humor him with a shake of my head and a smile.
All my features are slight, like my stature: a pixie nose, near-translucent skin with not even a freckle to decorate my cheeks, sparse eyebrows.
But my hair is the worst. The longer I let it grow, the more it tapers from thick brunette into baby-fine, dull brownish ends, so I keep it short, at my shoulders. At least it waves instead of lying stick-straight. It’s wispy as the clouds on a clear day.
“I know Mom gave you a new lock. Did you clear out your smartcuff from last year?”
I roll my eyes and push up my sleeve to show him that yes, the three-inch wide flexible tablet that holds all the information I need to get through the day, besides acting as a phone, GPS, and universal ID, has been wiped clean of all the stuff I needed at Superior. I don’t tell him that I spent days hacking it to change the ID status from “Merrin Grey: One” to “Merrin Grey: Normal.”
I pop the door handle open and crack it before we’re even fully stopped. The football field, which peeks out from behind the school, has a fresh frame of bright white lines and a state-of-the-art looking scoreboard. I imagine the classrooms and the locker rooms feature an according disparity. Great.
“Three thirty, Dad. Okay?” I scoot myself out of the seat and onto the sidewalk. I let the door fall shut before he can answer. Not because I’m trying to be rude, but because I think if I hear Dad’s voice now I might cry and mess up the first mascara I’ve worn for about ten months.
I’m not really upset about transferring from Superior High to Nelson.
I’m not. I’m not.

No one really says it out loud, but everyone knows Supers and Normals hate each other – too much decades-old bad blood. Supers say the Normals were jealous of them, and that’s what caused tensions in the first place. Normals say they didn’t know anything about Supers, or whether they could be trusted. 
I can see that. The way the Supers treated me, a sad powerless kid, at SHS, I figure maybe the Supers scared the crap out of Normals, sixty years ago. Superstrength, or teleporting, or being able to shoot fire, could be terrifying if it was used as a threat.
Being a One is the worst – we’re caught exactly in between Super and Normal, between stuck-up and terrified. Supers assume we're jealous, and Normals assume we're full of ourselves.
But here, I’m the new kid. No one knows anything about me. And here, no one has to. I take a deep breath through my nose, trying to ease the pit in my stomach.
I’m feeling a little too light this morning.
The wind feels like it might blow me away today. My loose, tissue-thin shirt hangs off my bony shoulders, then blows against the curve of my back, and I know that anyone can tell how thin I am in the tank top underneath. My cuffed denim shorts go down to my knees, and because Mom picked them up in the girl’s department, they fit snugly to my legs. That’s fine, since I learned that baggy pants only made me look ridiculous, and even more slight.
I look down at the ground and take a deep breath. Heavy. Be heavy. My eye catches the one thing that will make me smile - my blue plaid Chucks. My brothers, Michael and Max, gave them to me for my sixteenth birthday last month. They thought I would like them, and they were absolutely right. Awesome kids, no matter how jealous I am of their insanely rare water-walking skills.
With any luck, this year will just be the boring prelude to where I really belong – occupying one of the spots in the Biotech Hub’s summer internship program. I can do anything if it leads to that. I breathe deeply, hoping the air pressure in my lungs will make me heavier, and take my first steps toward a normal year at Nelson High.

I’m guessing there are three hundred students in the whole school, which means everyone here knows everyone else. I let out a slow sigh of relief when I realize none of the students milling through the halls look at me. Either no one notices me, or no one cares. Or, since it’s the first day and I’m new, I’ll pass for a freshman.
I find the administrative office easily enough. I have to pound on the ancient touchscreen installed there to get my schedule, and when I finally get it to download onto my cuff, it takes another torturous several minutes of waiting for the map of the school to appear. Through the thick, translucent office wall, something catches my eye. A tall, middle-aged man with black hair slicked back from his forehead and glasses, pushes out the door. I swear the faint scent of licorice wafts out after him. He looks just like my Organic Chemistry professor from Superior High.
Maybe not everything about Normal High will be awful and unfamiliar after all.
I wave my wrist under the ID scanner in a variety of positions, but it just won’t register. It’s all I can do not to growl at it. Finally, it beeps its recognition, and I push out through the door as the stilted robotic voice croaks, “Good morning, sophomore Merrin Grey.”
The hallway teems with students, but I think I see him. Yes.  The black hair, and those thick-rimmed glasses. That’s got to be him. He’s talking to a petite woman in a navy suit at the end of the hallway, leaning close to her ear, his eyes darting around at the students. They both nod at each other and start to walk down the hall, away from me. She motions toward a door.
 As I get closer, I see the placard next to it reads “Principal Lee’s office.” I push through the crowd, but just as they reach the door and the woman reaches out to turn the knob, some clumsy kid rams into my shoulder, spinning me around. I don’t even care enough to be embarrassed or to yell at the jerk, because when I look up, the door’s closing behind them.
I pinch my lips together, cursing under my breath.  Mr. Hoffman is the one who came and dragged me out of the first horrific day of freshman biology, gave me a test, checked it over in about three minutes, and walked me to his class full of AP Organic Chemistry seniors without another word. While the other freshmen were trying to impress each other with their superpowers, I was staying behind in his classroom while he graded assignments, building models and generally kicking Orgo’s ass. By the end of the year I was working from a college textbook.
Mr. Hoffman’s the one who made me think I could score a spot in the Biotech Hub’s summer internship. Only five kids get to go every year, and I don’t think a One has ever landed a chance.
I slump against one of the walls and check my schedule on my cuff. Nothing with Hoffman. I’m sure that whatever he’s teaching is so high level I’ll have to get notes from Mom and Dad and a meeting with the principal just to get me a seat in the class. That is, if I actually did see him. I can’t imagine why he would actually leave the state-of-the-art Superior classrooms to come teach at this dump.
I pass my locker, number 5637, noting its location. I have nothing to put in it yet, and don’t feel like programming the new print-scanning lock Mom slipped in my bag, so I don’t even stop.
My first class is History – Modern American. I sigh with relief. At Superior High, freshmen take this class, so I should’ve already learned all this stuff. When I click through my reader to find the textbook, though, it’s not AMERICA: PATHWAYS TO PROGRESS, the one we used last year. Instead, it’s AMERICAN HERITAGE AND YOU.
There’s no teacher’s desk at the front of this classroom. When one of the few adults I’d seen in a bright orange Nelson High polo shirt walks into the classroom, plugs a cartridge into a port on the back wall, and a 3-D projector displays a life-sized image of a teacher at the front of the room, I almost cry with disappointment.
This year, the weird projected holo-teacher says, we’ll be focusing on American history post-Uranium Wars, but she wants to go through a brief summary of that thirty-year period before we begin.
“Seventy-five years ago, foreign missiles suddenly and deliberately attacked a transport of uranium cores being transported to safe storage in the American desert, triggering the Uranium World Wars. The leakage into Lake Michigan made thousands sick, killing some, and fundamentally altered the genetic structure of thousands of others.
“Many of these individuals developed extraordinary powers: for example, super speed or strength, control of natural forces, teleportation or telekinesis. Twenty years later, a diabolical group of five of these mutants, all leaders in their communities, formed a plan to assassinate the President of the United States and overthrow the government. Thankfully, it was stopped before damage was done.
“Never had our nation experienced such a threat from within our own borders.
“Most of the mutant population, some thirty thousand strong, was concentrated around the Great Lakes. Even after the investigations and trials in the aftermath of said threat, we knew that some among them were potentially dangerous. Though most were loyal Americans, no one knew what would happen among this concentrated population if the new leaders’ efforts congealed into a full-fledged revolution.
“Military authorities therefore determined that all of them would have to move. Tens of thousands of men, women, and children, all affected by supernatural abilities caused by the uranium contamination decades earlier, were removed from their homes to communities in established, out-of-the-way places. Of course, the government helped in any cases of financial hardship, and once the families had reached their destinations, provided housing and plenty of healthful nourishment for all.
“The mutated citizens wanted to go to work developing their abilities for the betterment of society. In areas away from our main government and weapons stores, and under appropriate safeguards, many were allowed to do so, under the condition that they would work together with the existing United States Government for the welfare of all United States citizens.”
After every sentence this non-teacher speaks, my mouth drops open just a little farther. This is not the history they taught us at Superior.
Of course, they taught us about the Uranium Wars, and the attempted government takeover. But the story of the camps sounded totally different at Superior.
Notices were posted. All mutated persons, and their families, were required to register. The evacuation was not cheerful. Stones were thrown, and jeers were screamed. It was out of fear, they taught us at Superior. Of course the Normals feared the Supers. But this twisting of history is inexcusable.
This lecture at Nelson doesn’t include video footage of the internment camps’ shoddy housing, or the mothers clutching their crying babies while they waited for the food trucks. It doesn’t show the Supers waiting in long lines to see doctors they didn’t trust, or the makeshift schoolrooms full of dirty-looking kids in clothes that didn’t fit quite right.
The holo-teacher directs us to the touchscreens in our desktops to answer some multiple choice questions about the lecture. I force my brain to go numb as I answer them the way I know the textbook wants us to.
I don’t know exactly what this means for the next three years I’m supposed to spend here at Nelson High. But after hearing this lecture, I know I can’t spend my life among Normals. No way.
I’ve got to get that internship.

By the time I’ve sat through Calculus, Bio, and English, I’m feeling grateful for the remote-lecturing holo-teachers – it means there’s no one to ask me to stand at the front of the classroom and introduce myself. That is, until I realize people are going to start asking me who I am to my face.
I have no idea what to expect from these Normal kids. Will they suspect I’m not like them? Can they see that I can float, if I want to?
I manage to keep my head down all the way to my locker. All I want is to get there to ditch my sweatshirt, retreat to the girl’s room - if I can figure out where it is - lock myself in a stall for a few minutes, and take a deep breath for the first time since I got here.
And maybe eat my lunch in there. Just for today.
I wiggle the handle of my locker, but it won’t open. I bend down to take a look at it. No jerk’s poured superglue in there or anything.

Before I know it, I’m shaking the stupid locker handle so hard it’s making a racket, and a few people standing near me look over and cock their heads. When I almost whack my own face with my struggling hand, I give up, resting my head against the cool, solid metal for a second, breathing in through my nose.
I am seriously losing it. Over a locker.
Half a second later, a shoulder taller than my head pushes into the metal door, then a large hand with long, thin fingers jiggles the handle side-to-side a couple times and wrenches it up, letting the locker pop open.
I feel the warmth of his nearness against my cheek, countering the chill of the locker, like a shock on my skin. The guy clears his throat, then says quietly, “They’re tricky.”
I barely glance at him before I look down at the floor, but I do catch that he has blond hair and glasses.
 “You new here?”
Before I can answer, some guy halfway down the hall hollers, “E! Coming?”
The guy at my locker – “E” - gives his head half a shake, smiles a little, then turns to walk away.
And now everyone’s staring at me. Great.
As soon as I find my way to the bathroom, I place both hands on the rim of one of the sinks, steadying myself there. After a few seconds, I splash my face with water, then reach over to the soap dispenser. Everything about this place feels dirty.
As I’m lathering my hands, I notice the logo on the soap dispenser. The Hub Technology logo appears on every product made at one of the Hubs. It’s five ovals, one for each Hub, intersecting in the shape of an atom with a key as the nucleus. Someone has crossed out the “Hub” in “Hub Technology” and written “Freak” next to it.
Suddenly, I can’t get enough air into my lungs. I duck into a stall, sit on the toilet, bury my face in my hands, and take one, two deep breaths.
I hope with everything in me that all the other kids actually eat in the cafeteria.

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